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About the Artists
Norma Clark
A native and resident of Texas, Norma Clark
is an abstract artist who received in 1997 a B.A. in Visual Arts from
Southwestern University in Georgetown, Texas and in 2000 an M.F.A. from
Vermont College of Norwich University in Montpelier, Vermont. Clark was
a co-professor at Southwestern University and currently works as an independent
artist.
The objective of Ms. Clark's artwork is
to create paintings that contain ambiguities of space, color, and form.
Each painting is a personal reflection on a range of internal emotions
and complexities of life. Clark does not have a vision of the final painting
in mind when she initially begins its creation, but, instead, she responds
to the marks made on the canvas that inspires and reveals the next step
in the painting's evolution. Although Clark has no final image in mind
for her paintings, she does have specific intentions about each piece's
message. Norma's work has been exhibited throughout Austin and surrounding
areas.
Fidencio
Duran
My artwork is inspired by personal experiences.
These experiences are of my family in a rural part of central Texas. They
celebrate everyday events that, through the use of heightened perspective
and richness of color, are transformed into artwork. When developing the
works, I start with a salient moment in my personal history. These memories
are developed initially with only paper and pencil. As more resources
become available, their influence is seen in the finished works. Recently,
I have been able to cull images from a greater number of sources via the
Internet and books.
The works in this exhibit continues the
exploration that began at least twenty years ago. As a member of a first
generation American family, I have attempted to identify my values through
my family's experiences. Perhaps it started as a way to feel complete
in a society that can seem distant. There is scarcely a way to not feel
like an outsider. Although I speak and read the language fluently, am
able to survive in the predominant Anglo culture? These works serve to
support my sense of self and are a part of the experience of Mexicans
in America. I aspire to have these works affect the viewer by supplying
images that are palpable in an era when most artwork is vague and serves
primarily as decorative objects.
Tonya
Engel
My paintings are always a process. I often
do not plan on making a certain image--if I do begin with a particular
thing in mind, it often mutates in the course of working. I often even
turn my paintings sideways or upside down to find something more interesting
and fresh than what I
had already begun. I try hard to push beyond the things I already know.
The female figure always seems to find a prominent position in almost
every piece because I inevitably experience the world as a female--the
only perspective that I know how to articulate. It is a vehicle for exploring
my major concerns: issues of identity, gender boundaries, power and vulnerability,
questioning the notions of beauty and ugliness. Many of the norms upon
which we build most of our identities and form our ideologies are narrowly
constructed. For me, each painting is a process of peeling away those
outer layers and finding the core of the elusive self--the full, richly
diverse and complex beings that we are.
T. Paul Hernandez
T. Paul Hernandez is from South Louisiana
and received a B.F.A. from Louisiana State University at Baton Rouge and
an M.F.A. from the University of Texas at Austin. He is currently a tenured
Associate Professor of Art at Texas Lutheran University in Seguin, Texas
and resides in Manchaca, Texas where he operates a sculpture studio.
He works mostly with mixed media sculpture
and drawings and is known for creating fanciful and allegorical images.
He pieces have been featured in many group and solo exhibitions. He has
been awarded several Art in Public Places commissions in Austin and has
served as juror for numerous public art projects. Hernandez has also been
the recipient of the Mid-America/National Endowment for the Arts Fellowship
Award in Sculpture. He has served on the state advisory visual arts panel
for the Texas Commission on the Arts; on the Louisiana Division of the
Arts; on the Cultural Arts Council of Houston; and he was a recipient
for an artist residency at the New Orleans Green Project.
Shou
Ping Newcomb
Shou Ping creates her art with watercolor,
but her specialty is "paper sculpture." Through these unique
three-dimensional paper sculptures, she expresses her imagination, and
takes the ordinary and makes it extraordinary. There is nothing ordinary
about this artist or her art. One look at her works and you are drawn
into her world. Her love of nature, birds, and her many fish ponds and
gardens are recurring themes. Her designs are as varied as nature itself.
Her loving attention to each detail will entice the viewer to reach out
and touch the life-like flowers and birds. As one can imagine, each intricate
piece is created over a lengthy period of time, and each is different
and original.
Shou Ping has been invited to give demonstrations
to more than twenty art groups, schools, and organizations in the San
Antonio area. From 1996 through 2000, she has participated in over thirty
art shows and received numerous awards for her works. She has appeared
on the "San Antonio Living" television show, was recently showcased
on the "Texas Country Reporter" television show, and was published
by the Koi USA Magazine.
Rama
Tiru
Rama has enjoyed photographing people and
places all over the world. She became the first woman industrial photographer
of India. She also was the first woman founder member, treasurer, and
vice chairperson of the Advertising and Industrial Photographers Association
of India-South. She emigrated to the United States in 1997 and established
RTgallery in 2000. Her art works have been shown in many venues.
From commercial photography, Rama Tiru's
work has transformed into art photography. She experiments with various
lighting techniques and photographic installations of specific themes
to interpret her creativity through the lens. Her signature is highly
saturated photographic images, painterly in effect. She likes to keep
her lines simple and rhythmic. She has expressed her thoughts and philosophy
through her art.
Since 1995 she has continuously worked with
digital media and numerous print materials, ranging from art papers to
canvas. Her own photographs are the base images for her artwork. They
are digitally painted over, manipulated or hand painted over to create
unique collages. She has produced huge digital photo-murals for corporate
walls and hotel lobbies. Her new passion is to capture images in a camera,
print on canvas, and paint with acrylics to make one of a kind art images.
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